Abillyon Born Again Album Download Free

1983 studio album past Black Sabbath

Built-in Again
SabbathBorn.jpg
Studio album by

Black Sabbath

Released seven August 1983 (1983-08-07)
Recorded May 1983
Studio The Manor (Oxfordshire)
Genre Heavy metal
Length 41:04
Characterization Vertigo
Producer Black Sabbath, Robin Black
Blackness Sabbath chronology
Mob Rules
(1981)
Built-in Once again
(1983)
Seventh Star
(1986)

Born Again is the eleventh studio album by English language heavy metal band Black Sabbath. Released in August 1983, it is the only album the group recorded with lead vocaliser Ian Gillan, best known for his work with Deep Purple. Information technology was also the concluding Black Sabbath album for ix years to feature original bassist Geezer Butler and the terminal to feature original drummer Bill Ward, though Ward did record a studio track with the ring fifteen years later on on their 1998 live album Reunion. The album has received mixed reviews from critics,[1] just was a commercial success upon its 1983 release, reaching No. 4 in the UK charts.[two] The album also striking the top 40 in the The states.[3] In July 2021, guitarist and founding member Tony Iommi confirmed that the long lost original main tapes of the album had been finally located, and that he was considering remixing the album for a futurity re-release.[4]

Origins [edit]

Post-obit the departure of vocalist Ronnie James Dio and drummer Vinny Appice in 1982, Sabbath'south future was in dubiety. The band switched management to Don Arden (Sharon Osbourne's father) and he suggested Ian Gillan as the new vocalist.[five] "That band was put together on paper," guitarist Tony Iommi revealed in the 1992 documentary Black Sabbath: 1978–1992. "Nosotros'd never apposite."

The band had considered vocalists such equally Robert Plant and David Coverdale earlier settling on Gillan.[6] They fifty-fifty received an audition record from a so-unknown Michael Bolton.[5] Iommi told Striking Parader mag in tardily 1983 that Gillan was the best candidate, saying "His shriek is legendary." Gillan was at first reluctant, only his managing director convinced him to meet with Iommi and Butler at The Bear, a pub in Oxford. After a night of heavy drinking,[five] Gillan officially committed to the project in February 1983.[vii]

The project was originally intended to be a new supergroup, and the members of the group had no intention of billing themselves as Black Sabbath.[five] At some indicate after recording had been completed, Arden insisted that they use the recognizable Sabbath proper name, and the members were overruled.[5] "We thought we were doing a kind of Gillan-Iommi-Butler-Ward album…" recalled bassist Geezer Butler. "That is the way nosotros approached the album. When we had finished the album, we took information technology to the record company and they said, 'Well, here'southward the contract: it is going to go out equally a Black Sabbath anthology."[8]

Born Once more featured the return of founding fellow member Neb Ward on drums, who was newly sober after leaving the band in 1980 to deal with his alcoholism.[9] Ward began drinking again near the stop of the sessions and returned to Los Angeles for treatment once the album was completed, and has remained sober ever since.[5] Ward has said that he enjoyed making the anthology, which remains his last studio album with the band.[ten]

Recording [edit]

Sabbath began recording in May 1983 at Richard Branson's Manor Studio, in the Oxfordshire countryside.[eleven] Producer Robin Black had worked with the band in the mid-1970s, as engineer on Sabotage.

In his autobiography, Iommi recounts Gillan informing him that, during sessions, he planned to alive outside the firm in a marquee tent: "I idea he was joking, but when I arrived at the Manor I saw this marquee outside and I thought, fucking hell, he's serious. Ian had put upwards this big, huge tent. It had a cooking expanse and a bedroom and whatever else." Gillan brought an immediacy to the songwriting that was uncommon for Sabbath: "Ian'southward lyrics were about sexual things or true facts, even about stuff that happened at The Manor there and so," Iommi recalls in his memoir. "They were good, simply quite a departure from Geezer's and Ronnie'south lyrics." For case, Gillan returned from a local pub i evening, took a car belonging to drummer Ward, and commenced racing effectually a go-cart track on the Manor Studio property. He crashed the car, which outburst into flames afterwards he escaped uninjured. He wrote the anthology's opening "Trashed" about the feel.[5]

"Agonizing the Priest" was written afterwards a rehearsal space – gear up upwardly by Iommi in a small building nearly a local church – received noise complaints from the resident priests.[five] "We wanted this result on 'Disturbing the Priest'," recalled the guitarist, "and Bill got this big bucket of h2o and he got this anvil. It was actually heavy, and he'd got it hanging on a piece of rope and lower it in to get this issue: hit it and lower it in, and then lift it out again. It was a corking effect, but it took hours to practice."[12]

"I did some of the all-time drum piece of work on that album…" Bill Ward recalled. "On 'Disturbing the Priest', in that location were some polyrhythms and some counterpoint things that I was doing, and I was using at to the lowest degree twenty different pieces of percussion towards the stop of that song… I was real proud of a lot of the work that I did. Some of it invariably got lost in the mix, merely I know that information technology's printed on those tracks."[13]

The band got along well, but it became apparent to all involved that Gillan's fashion did not quite mesh with the Sabbath sound. In 1992, he told director Martin Baker, "I was the worst singer Black Sabbath ever had. It was totally, totally incompatible with any music they'd always done. I didn't wear leathers, I wasn't of that image...I think the fans probably were in a total land of confusion." In 1992, Iommi admitted to Guitar World, "Ian is a great vocaliser, but he's from a completely different background, and it was difficult for him to come in and sing Sabbath material."

"I saw Ian get into the studio one 24-hour interval," Ward recalled, "and I was fortunate and honoured, really, to exist part of a session. I watched him lay tracks on 'Keep It Warm'… I felt like Ian was Ian in that song… I watched this incredible transformation of this homo that really, I felt, delicately put lyrics together. It fabricated sense. I thought he did an excellent job. And I really dig that song as well."[14]

When the band heard the final product, they were horrified at the muffled mix. In his autobiography, Iommi explains that Gillan inadvertently blew a couple of tweeters in the studio speakers by playing the backing tracks also loud and nobody noticed. "We just thought it was a chip of a funny sound, just it went very incorrect somewhere between the mix and the mastering and the pressing of that album...the sound was really slow and muffly. I didn't know most it, because nosotros were already out on tour in Europe. By the time nosotros heard the anthology, information technology was out and in the charts, but the audio was atrocious."

For all his misgivings, Gillan remembers the menstruation fondly, stating in the Black Sabbath: 1978–1992 documentary, "Just by God, we had a good yr...And the songs, I retrieve, were quite practiced."

Breakup [edit]

Following the tour supporting Born Once again, this version of Blackness Sabbath barbarous apart, with Gillan and Ward parting. The tour was also a breaking bespeak for Butler, who admits in the Black Sabbath: 1978–1992 documentary, "I merely got totally disillusioned with the whole thing and I left some time in 1984 later the Born Again bout. I just had enough of it." In 2015 Butler clarified to Dave Everley of Archetype Rock: "I left because my second kid was born and he was having problems, then I wanted to stay with him. I told Tony I couldn't concentrate on the band anymore. But I never savage out with anybody." Butler says the looming Deep Royal reunion played a large role in Gillan'south decision to leave.[15] Disagreements with management also contributed to the ring's dissolution.[15] Bevan would briefly return to the Sabbath fold in 1986-87 to record cymbal overdubs for the album The Eternal Idol.

Album cover [edit]

The comprehend – depicting what Martin Popoff described as a "garish ruddy devil-babe" – is past Steve 'Krusher' Joule; a Kerrang! designer who too worked on Ozzy Osbourne's Speak of the Devil. Information technology is based on a blackness-and-white photocopy of a photograph published in a 1968 magazine.[sixteen] The same photograph was used for 12-inch versions of Depeche Manner's "New Life".

"I didn't have whatsoever participation in the album comprehend," recalled Bill Ward. "When I saw it, I hated it."[xiv]

Ian Gillan told the printing that he vomited when he kickoff saw the picture. However, Tony Iommi canonical the cover,[17] which has been considered one of the worst ever.[i] Ben Mitchell of Blender called the cover "awful".[18] The British mag, Kerrang!, ranked the cover in second place, behind just the Scorpions' Lovedrive, on their list of "10 Worst Album Sleeves in Metal/Hard Rock". The listing was based on votes from the magazine'southward readers.[19] NME included the sleeve on their list of the "29 sickest album covers always".[20] Sabbath's managing director Don Arden was quite hostile towards the ring'southward ex-vocalist Ozzy Osbourne, who had recently married his manager Sharon,[21] and was addicted of telling Osbourne that his children resembled the Built-in Again embrace.[21]

Release and reception [edit]

Professional ratings
Review scores
Source Rating
AllMusic [ane]
Blender [18]
The Rolling Stone Anthology Guide [22]
Sputnikmusic 2/5[23]
Metal Forces 8/ten[24]
Martin Popoff 10/10[25]

Born Again was released in August 1983[1] and was a commercial success. It was the highest charting Black Sabbath album in the United Kingdom since Sabbath Bloody Sabbath (1973) and became an American Superlative 40 hit.[26] Despite this, information technology became the start Black Sabbath album to non have any RIAA certification in the The states.

The album received mixed reviews upon its release.[27] AllMusic'due south Eduardo Rivadavia wrote that the album has "gone down equally one of heavy metal'due south all-time greatest disappointments" and described "Zero the Hero", "Hot Line", and "Continue It Warm" equally "embarrassing".[one] Blender contributor Ben Mitchell gave the album i out of five stars and claimed that the music on Born Once more was worse than its cover.[18] Martin Charles Strong, the author of The Essential Stone Discography, wrote that it was "an exercise in heavy-metal cliche".[28] Notwithstanding, Popmatters contributor Adrien Begrand has noted the album as "disregarded".[27] The British mag Metal Forces defined it "a very good album" fifty-fifty if "Gillan may non be the perfect frontman for the Sabs".[24]

Despite the overall negative reception with critics, the anthology remains a fan favorite. Author Martin Popoff has written that "if any anthology in the history of Blackness Sabbath is getting a new set of horns up from metalheads hither deep into the new century, it'south Born Over again."[vii] Industrial metal band Godflesh and death metallic band Cannibal Corpse both have covered "Zero the Hero", the former appears on the Masters Of Misery - Black Sabbath: The Earache Tribute anthology while the latter is featured on the Hammer Smashed Face EP. Cannbibal Corpse's former singer, Chris Barnes, has called Born Once again his favourite Black Sabbath album.[29] "Zero the Hero" has too been cited equally the inspiration for the Guns N' Roses striking "Paradise City",[thirty] and in his autobiography Iommi also suggests the Beastie Boys may accept borrowed the riff from "Hot Line" for their hitting "(You lot Gotta) Fight For Your Correct (To Party!)". Metallica drummer Lars Ulrich has called Born Again "ane of the best Black Sabbath albums".[31] Beak Stevenson, former drummer of Black Flag, stated the band was listening to the album around the time of My War, defining songs like "Trashed" and "Disturbing the Priest" as "platonic".[32]

In 1984, Ozzy Osbourne stated that the album was the "best thing I've heard from Sabbath since the original group broke upward".[33] Butler has pointed to "Zero the Hero" and "Disturbing the Priest" every bit his favorites on the album.[15] In 1992 Iommi confessed to Guitar World, "To be honest, I didn't like some of the songs on that anthology, and the production was awful. Nosotros never had time to test the pressings after it was recorded, and something happened to it by the fourth dimension information technology got released."

A re-mastered 'Deluxe Expanded Edition' of Born Over again was released in May 2011 by Sanctuary Records. Information technology included several live tracks from the 1983 Reading Festival originally featured on BBC Radio 1's Friday Rock Show. Though the release was remastered, it was not remixed due to the inability to locate the original master tapes, as well as Sanctuary not wanting filibuster the release in an effort to locate said tapes for a remix.[34]

In 2021, Tony Iommi claimed that the original main tapes, long thought lost, had been found and that he was considering remixing them for an eventual release.[35] [36]

Built-in Again Tour and Stonehenge props [edit]

According to Iommi's autobiography, Ward began drinking again near the end of the Born Again recording sessions and returned to Los Angeles for treatment. The band recruited Bev Bevan, who had played with The Move and ELO,[37] for the upcoming tour in support of the new album. Gillan had all the lyrics to the Sabbath songs written out and plastered all over the stage, explaining to Martin Bakery in 1992, "I couldn't go into my brain any of these lyrics...I cannot soak in these words. There'south no storyline. I can't relate to what they mean." Gillan attempted to overcome the problem past having a cue volume with plastic pages on stage, which he would turn with his foot during the show. However, Gillan did non anticipate the "6 buckets" of dry ice that engulfed the phase, making it impossible for the vocalist to meet the lyric sheets. "Ian wasn't very sure-footed either," Iommi writes in his memoir. "He once fell over my pedal lath. He was waving at the people, stepped back and, bang!, he went arse over caput big time." Gillan also told Birch that it was Don Arden's idea to open the testify with a crying babe blaring over the speakers and a dwarf made to look exactly like the demonic baby depicted on the Built-in Again album comprehend miming to the screaming. "Nosotros noticed a dwarf walking around the twenty-four hour period before the opening prove...And nosotros're saying to Don, 'Nosotros call up this is in the worst possible taste, this dwarf, y'all know?' And Don'south going, 'Nah, the kids will love it, information technology'll be bully.'"

The tour is virtually infamous, all the same, for the gigantic Stonehenge props the band used. Iommi recalls in his autobiography that it was Butler'due south thought simply the designers took his measurements the incorrect fashion and thought it was meant to be life-size. Months later, while rehearsing for the bout at the Birmingham NEC, the stage prepare arrived. "We were in stupor," writes Iommi. "This stuff was coming in and in and in. It had all these huge columns in the dorsum that were as broad as your average bedroom, the columns in front were about xiii feet high, and we had all the monitors and the side fills besides equally all this rock. Information technology was fabricated of fiberglass and woods, and bloody heavy." The set would be lampooned in Rob Reiner'due south 1984 rock music mockumentary This Is Spinal Tap, with the ring having the opposite trouble of having to apply miniature Stonehenge phase props. Butler has said that he told the acquaintance scriptwriter of the moving-picture show the story of the band's performances with their "Stonehenge" stage props.[38] In an interview for the documentary Black Sabbath: 1978–1992, Gillan claims Don Arden had the dwarf walk across the top of the Stonehenge props at the start of the show and, equally the tape of the screaming baby faded away, fall back "from almost thirty-five feet in the air on this large pile of mattresses. And then, 'Dong!' The bells start and the monks come out, the whole thing. Pure Spinal Tap." The band toured Europe first, playing the Reading Festival (a performance that is included on the 2011 deluxe edition of Born Once more) and too playing in a bullring in Barcelona in September. Sabbath performed Gillan'south hit with Deep Purple, "Smoke on the H2o", on the tour, with Iommi explaining in his memoir, "it seemed similar a bum deal for him not to do any of his stuff while he was doing all of ours. I don't know if we played information technology properly only the audience loved it. The critics moaned; information technology was something out of the purse and they didn't want to know so." In Oct, the band took the Stonehenge set to America simply could only use a portion of it at well-nigh gigs because the columns were besides loftier. The prepare was eventually abandoned. A music video for "Zero the Hero" was besides released, featuring functioning footage of the band onstage interspersed with scenes involving several grotesque characters performing experiments on a witless fellow in a haunted house filled with rats, roosters and a roaming horse.

Track listing [edit]

Standard Edition [edit]

All songs credited to Tony Iommi, Geezer Butler, Beak Ward, and Ian Gillan, except where noted.

Side A
No. Championship Length
1. "Trashed" 4:16
two. "Stonehenge" (Instrumental) 1:58
3. "Disturbing the Priest" 5:49
4. "The Dark" (Instrumental) 0:45
5. "Nothing the Hero" 7:35
Side B
No. Championship Writer(s) Length
vi. "Digital Bowwow" iii:39
7. "Built-in Again" 6:34
8. "Hot Line" Iommi, Butler, Gillan 4:52
9. "Keep Information technology Warm" Iommi, Butler, Gillan 5:36

2011 Palatial Edition Disc 2 [edit]

Tracks 3-11 recorded alive at the Reading Festival on Saturday, August 27, 1983 and first aired on Friday Rock Show via BBC Radio i.[34]

Bonus Tracks
No. Title Length
1. "The Fallen" (previously unreleased album session outtake) 4:30
ii. "Stonehenge" (extended version) 4:47
Live at the Reading Festival August 27, 1983
No. Championship Writer(s) Length
iii. "Hot Line" four:55
4. "State of war Pigs" Butler, Iommi, Ozzy Osbourne, Ward vii:25
5. "Black Sabbath" Butler, Iommi, Osbourne, Ward vii:xi
6. "The Nighttime" 1:05
7. "Cypher the Hero" vi:55
eight. "Digital Bitch" 3:34
ix. "Fe Man" Butler, Iommi, Ozzy Osbourne, Ward vii:41
10. "Smoke on the Water" Ritchie Blackmore, Gillan, Roger Glover, Jon Lord, Ian Paice four:56
11. "Paranoid (Features a small portion of the intro to Heaven & Hell with Gillan doing his signature harmonics)" Butler, Iommi, Ozzy Osbourne, Ward 4:eighteen

Personnel [edit]

Black Sabbath

  • Ian Gillan – vocals
  • Tony Iommi – guitars, guitar effects, flute
  • Geezer Butler – bass, bass furnishings
  • Neb Ward – drums, percussion

Additional musicians

  • Geoff Nicholls – keyboards
  • Bev Bevan – drums (on 2011 Deluxe Edition – Disc ii, tracks 3–xi)
Credits[39]
  • Steve Barrett – art banana
  • Blackness Sabbath – producer
  • Robin Black – producer, engineer
  • Stephen Chase – engineer, banana engineer
  • Paul Clark – co-ordination
  • Hugh Gilmour – liner notes, design, reissue design, original sleeve design
  • Ross Halfin – photography
  • Steve Joule – artwork, cover blueprint
  • Peter Restey – equipment technician
  • Ray Staff – remastering
  • Chris Walter – photography

Release history [edit]

Region Date Label
United Kingdom August 1983 Vertigo Records
United States iv October 1983 Warner Bros. Records
Canada 1983 Warner Bros. Records
United Kingdom 1996 Castle Communications
Britain 2004 Sanctuary Records

Charts [edit]

See likewise [edit]

  • Built-in Once again Tour 1983

References [edit]

  1. ^ a b c d e Rivadavia, Eduardo. "Built-in Again > Overview". Allmusic . Retrieved 1 November 2009.
  2. ^ "Gillan the Hero". Archived from the original on eighteen Oct 2009. Retrieved 1 November 2009.
  3. ^ "Billboard Top 200". Billboard . Retrieved 1 November 2009. [ permanent expressionless link ]
  4. ^ Blabbermouth (26 June 2021). "TONY IOMMI Says Original Tapes For Blackness SABBATH'south 'Born Again' Anthology Accept Been Plant: 'I'chiliad Thinking Of Remixing' It". BLABBERMOUTH.NET . Retrieved xiv November 2021.
  5. ^ a b c d e f g h Iommi, Tony (2011). Atomic number 26 Man: My Journeying Through Heaven and Hell with Black Sabbath. Da Capo Press. ISBN978-0306819551.
  6. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 201. ISBNi-55022-731-ix.
  7. ^ a b Popoff, Martin (2006). Black Sabbath: Doom Allow Loose: An Illustrated History. ECW press. p. 198. ISBNane-55022-731-9.
  8. ^ Swedish TV interview, broadcast April 1994, transcribed past Ola Malmström in Sabbath fanzine Southern Cross #14, p19, October 1994
  9. ^ Popoff, Martin (2006). Blackness Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 197. ISBNi-55022-731-9.
  10. ^ Wright, Michael. "Bill Ward Tells Sabbath Tales and Talks Reunion". Archived from the original on 29 June 2011. Retrieved 4 September 2010.
  11. ^ Thompson, Dave (2004). Smoke on the Water: The Deep Imperial Story. ECW Printing. p. 234. ISBN1-55022-618-5.
  12. ^ Scott, Peter (May 1998). "Tony Iommi Interview". Southern Cross (Sabbath fanzine) #21. p. 46.
  13. ^ Schroer, Ron (October 1996). "Bill Ward and the Hand of Doom – Part Iii: Agonizing the Peace". Southern Cross (Sabbath fanzine) #18. p. 25.
  14. ^ a b Schroer, Ron (Oct 1996). "Bill Ward and the Hand of Doom – Part III: Disturbing the Peace". Southern Cross (Sabbath fanzine) #18. p. 24.
  15. ^ a b c "Geezer Butler Discusses Veganism, Faith, Politics, Surveillance, and Life Lessons". bryanreesman.com. 27 March 2014. Retrieved 1 September 2019.
  16. ^ Siegler, Joe. "Black Sabbath Online: Born Again". Black Sabbath Online. Archived from the original on 14 Jan 2012. Retrieved 7 August 2017. ...the commencement image of a baby that I found was from the front cover of a 1968 magazine called Mind Alive [...] we bashed the whole matter out in a night – Steve Joule interview
  17. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW printing. p. 206. ISBNone-55022-731-9.
  18. ^ a b c Mitchell, Ben. "Born Again – Blender". Blender. Archived from the original on 29 August 2010. Retrieved 3 September 2010.
  19. ^ "BLABBERMOUTH.NET – 10 Worst Album Sleeves in Metal/Hard Rock". Blabbermouth.net. Archived from the original on 27 Baronial 2004. Retrieved 4 September 2010.
  20. ^ "Pictures of NSFW - the 29 sickest album covers ever - Photos - NME.COM". NME . Retrieved iv September 2010.
  21. ^ a b Osbourne, Ozzy (2011). I Am Ozzy. K Primal Publishing. ISBN978-0446569903.
  22. ^ "Black Sabbath: Album Guide". Rolling Stone. Archived from the original on 27 April 2012. Retrieved five June 2012.
  23. ^ neekafat. "Born Again". Sputnikmusic.com . Retrieved 16 October 2019.
  24. ^ a b Barnell, Graham (1983). "Black Sabbath – Born Once more". Metal Forces (2). Retrieved ane July 2012.
  25. ^ Popoff, Martin (i Nov 2005). The Collector's Guide to Heavy Metal: Book two: The Eighties. Burlington, Ontario, Canada: Collector'due south Guide Publishing. ISBN978-1-894959-31-5.
  26. ^ Thompson, Dave (2004). Smoke on the Water: The Deep Purple Story. ECW Press. p. 237. ISBNone-55022-618-five.
  27. ^ a b Begrand, Adrien. "Alice Cooper: Portrait of the Artist as a Burnt-Out Old Man < PopMatters". PopMatters . Retrieved 3 September 2010.
  28. ^ Stiff, Martin Charles (2006). The Essential Rock Discography. Canongate Books Ltd. p. 97. ISBN978-1-84195-827-ix.
  29. ^ Mudrian, Albert, ed. (2009). Precious Metal: Decibel Presents the Stories Backside 25 Extreme Metallic Masterpieces . Da Capo Press. p. 158. ISBN978-0-306-81806-6. Black Sabbath Born Once again.
  30. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. p. 210. ISBN1-55022-731-9.
  31. ^ "BLABBERMOUTH.Internet – METALLICA'south LARS ULRICH: 'Metal Is Like Herpes — It Never Goes Away'". Blabbermouth.net. Archived from the original on viii September 2012. Retrieved iv September 2010.
  32. ^ Blush, Steven; Petros, George (2001). American Hardcore: A Tribal History. Feral House. p. 73. ISBN9780922915712.
  33. ^ Hogan, Richard."Is Sabbath turning Regal?" (PDF). Archived from the original (PDF) on 18 December 2005. Retrieved 2012-07-11 . . Circus Magazine 02-29-84
  34. ^ a b Blabbermouth (12 April 2011). "Black SABBATH's 'Born Again' Deluxe-Expanded-Edition Reissue Was Remastered, Not Remixed". Blabbermouth.cyberspace . Retrieved ix Baronial 2020.
  35. ^ "TONY IOMMI Says Original Tapes For Blackness SABBATH's 'Born Over again' Album Have Been Found: 'I'm Thinking Of Remixing' Information technology". Blabbermouth.net. 26 June 2021. Retrieved 17 December 2021.
  36. ^ "Black Sabbath: Tony Iommi Considera Remixar O Álbum Born Over again E Lançar Box Com Discos Da Era Tony Martin". Rockbizz.com.br. 26 June 2021. Retrieved 17 December 2021.
  37. ^ Bevan, who was still a member of ELO in 1983, had a long-time human relationship with Don Arden, every bit all of ELO's albums from 1975'south Face the Music frontwards were recorded for Arden's Jet Records label.
  38. ^ Popoff, Martin (2006). Black Sabbath: Doom Let Loose: An Illustrated History. ECW press. pp. 215–216. ISBN1-55022-731-9.
  39. ^ "Born Once again > Credits". Allmusic . Retrieved 4 September 2010.
  40. ^ "Offizielle Deutsche Charts" (in High german). offiziellecharts.de. Retrieved 25 Oct 2021.
  41. ^ "Black Sabbath - Born Again". Hung Medien. Retrieved 25 October 2021.
  42. ^ "Black Sabbath - Built-in Again". Hung Medien. Retrieved 25 October 2021.
  43. ^ "Black Sabbath - Built-in Again". Hung Medien. Retrieved 25 October 2021.
  44. ^ "Black Sabbath | total Official Chart History". Official Charts Company. Retrieved 25 October 2021.
  45. ^ "Nautical chart History". Billboard. Retrieved 25 October 2021.

External links [edit]

  • Built-in Again at Discogs (listing of releases)

burchfieldandreart.blogspot.com

Source: https://en.wikipedia.org/wiki/Born_Again_%28Black_Sabbath_album%29

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